Tag Archives: kodak

Photography: How Mauve is Mauve?

From my experience, there are certain colours that digital cameras seem to struggle with. The worst is yellow in bright sunlight. Particularly when shooting shiny flowers. Of the 50+ cameras that I currently keep in the bottom of my wardrobe, only three or four of them can cope at all. Most just flare out. The other problem colour is mauve/purple. I have a Primula in the back garden that not one of my cameras can capture accurately. But that’s another story. We don’t want to talk abject failure here on HamsterBritainDotCom, do we? No, we don’t. I also have a pleasant mauve plant, the name of which eludes me, which comes up every year in a terracotta pot on the patio. And it was to this plant I went when I decided upon  another of my famous comparison tests. Here are the guilty subjects this time…

A 4.0 megapixel Kyocera Finecam 410R. A 9.3 megapixel Ricoh CX2. and a 12 megapixel Kodak EasyShare M550. None of them are even remotely new, but I have been known to snap some quite nice pictures with all three – but never before at the same time. Here are the results of the Mauve Test…

The least mauve camera here is the Kyocera. The medium mauve, you might assume would be the 9.3 mg Ricoh. But you would be wrong. Not unusually it’s the Kodak that lets us down with a half-way-decent effort. And the winner – displaying a picture with remarkable similarity to the actual shade of mauve as seen with these aging eyes, was the Ricoh. And here’s the complete picture in all its glory…

RICOH CX2: Good camera!

In conclusion, it seems that if you want a vibrant, true-to-life shot get a Ricoh. If it’s quick snaps whilst on holiday, the Kodak will do just fine. And if you insist on an ancient Kyocera, do as I do. Just keep it as a curiosity, and maybe bring it out for a walk around the garden once in a while.

Photography: As in Film, So in Digital

Back in the days of my youth, I was, as now, a bit of a happy snapper. Of course then it was all Kodak Instamatics and 110 cartridge cameras. I discovered, quite quickly that there were distinctive differences in film stock. Kodak film gave a bright, colourful print. Fujifilm, conversely, was more subtle, bordering upon clinical. Of the two I favoured the more honest Fujifilm – though looking back through old photos, I wonder if those halcyon days might be better remembered in a more bright and colourful Kodak manner. As I took my daily constitutional today it came to my attention that I was carrying two cameras – made by Kodak and Fujifilm. “Hmmm,” I mused, “I wonder if, in these digital days, the old ways still hold true.” Or, to put it another way, are Kodaks still bright and cheerful, and Fujifilms all clear and sensible? The obvious way to answer my simple question was to pause my route march and take a couple of snaps. So I did. Here are the results. Which one is the Kodak; and which the Fujifilm?

Not a lot of colour here, but those greens in photo number one sure look…er…green . So, yep, judging by this test, it’s the same as it ever was. Maybe I’ll conduct a few more tests, just to make sure. After all – any excuse to show off my photos…

Photography: Zoom Wars

Recently I was watching a squirell fart-arsing about in my garden, when I got the idea to snap it’s image for posterity. But, I asked myself, which of the four cameras sitting on the kitchen table should I choose? Silly question: I chose the Sony HX400v – my best camera. This is one of the results…

Now, every so often (on this blog) I do a comparison between some of my cameras. It’s an opportunity to use seldom-used pieces of kit that, otherwise, tend to sit around in the bottom of my wardrobe enjoying slow degenerative entropy. As I peered into the camera’s screen and studied the resultant portraits of cheeky rodentia, I thought: “Did I really need a X 50 zoom to snap a critter little more than four metres distant?” Answering my silent question, I replied: “Nah – a X 25 would have done.” But would it? I needed to find out. So, grabbing a X 25 Kodak Pixpro, I dashed into the garden, which, annoyingly, was now entirely rodent-free. Then my photographer’s eye alighted upon a nicely-lit bunch of pear blossom – which I proceeded to photograph…

I then reached for the Sony again. This is the result…

I had my answer: long beats short every time. But then I thought: “But what if the problem is that the 16 megapixel Kodak is just a piss-poor camera?” Time to check it against something else. Dashing back inside the kitchen I snatched a Sony compact off the table. But finding the battery depleted, I swapped it for a little, mid-noughties, 7 megapixel  X 3 Casio Exilim compact. Then, squatting in the dappled shadows thrown by the emerging leaves of the pear tree, I took this photo of fallen blossom…

I then repeated the act with the Kodak…

And I realised that the Zoom War would need to continue – only with different combatents. Clearly the Pixpro wasn’t up to the task: it is – to use the technical term – a shit camera. But that’s fine: it’ll give me a chance to snap happily, and show off nice photos of my abode.

Photography: Just How Many Million Pixels and How Much Zoom Do You Need On a Bright Sunny Day?

That’s quite a title. Perhaps if I used an acronym… P:jhmmpahmzdynoabsd. No, that’s no better. Well, anyway, to the point of this post…

I’ve posted about megapixels; I’ve posted about zoom length; and I’ve posted about light. Well today I’m posting about all three. The reason for this is because this morning I went on a bloody huge bike ride (by my standards), and I took five cameras along for the ride. At one location I decided to test them against each other in conditions that, I believe, levels the playing field, so-to-speak: bright, BRIGHT, sunlight. First I snapped a picture of a weathered park bench: then I snapped another from the bench itself. Nothing clever; just a point and shoot with each camera without using any of the device’s special features. The first shot is taken just a few paces from the subject bench. The second shot looks across the valley to the opposite hillside. No zoom is used on the former: full zoom is used on the latter. See what you think. I was shooting into the sun, with minimal shade supplied by a large beech tree to the left of shot.

The cameras used in order are:

3.1 megapixel Sony Cybershot

5.1 megapixel Fujifilm A5oo

7.1 megapixel Kodak C743

12.2 megapixel Fujifilm J30

16 megapixel Nikon L830

To the bench…

3.1 Sony

bench by sony

5.1 Fujifilm

bench by a500

7.1 Kodak

bench by c734

12.2 Fujifilm

bench  by j30

16 Nikon

bench  by nikon

Well at first glance there doesn’t seem to be a vast amount of difference between them. When you go in tight the difference in quality is more observable. A certain degree of evening out did occur when I reduced the photo sizes for web use. But it does look odd (to this technological heathen anyway) how it appears that I was standing at different distances from the bench when I took each piccie. Something to do with wide angle shit I expect.

Nice subject though, in a nice place too. Lucky old me.

Now the long shot did surprise me. Perhaps I hadn’t noticed how hazy the air was when I pressed the shutter button; or maybe it was the barely filtered sunlight. I dunno. See what you think. One thing’s for certain though: they’ll never give me a guest slot in Practical Camera!

Same order as last time…

hill by sony

 

hill by a500

 

hill  by c743

 

hill by j30

 

hill by nikon

Well one thing is obvious: neither of the cameras can handle the brilliant white sky on the horizon. Well that’s fair coz neither could my eyes. Another thing is the x34 zoom of the Nikon. BIG ZOOM! But what about the ancient Sony? Where the hell did that zoom come from? It says on the side that it has x3 zoom with an extra x3 digital zoom. I guess the digital zoom kicked in automatically, but without my spectacles on I couldn’t see the icons (or image for that matter) on the tiny LCD screen. But isn’t digital zoom supposed to be utter shit? Not on my sturdy old Japanese Sony it isn’t!

So in summation…well you make up your own mind. Me – I’m strictly a point and shoot genius: I know squat about photography.

One last thing though. I also own a 12 megapixel Kodak that appears to equal the 12.2 Fujifilm in every way. But when I zoom in on a photo produced by it on my computer, it pixellates WAY more than the Fuji. Can someone explain why? Does it have a crappy lens or something?