The Set: The Scene 3


Once again, if you’ve been exposed to the Earplug Adventures for long enough, it’s likely that you can recognise a scene by it’s set. Want to prove that you really know your Earplugs? Check out the following…

First up we kick off with an easy example of earplug derring-do. This set should be very familiar to you…

Yup, it’s the bridge set of the starship Chi-Z-Sox / Brian Talbot. But what does a predominantly yellow bridge crew tell us? Again yup – it’s the Brian Talbot. And isn’t that Placebo Bison I see standing at the front? Thrice yup: it can only be this scene…

Which, I’m sure you’ll recall, appeared in Distant Land: a story so wonderful that these characters returned in A Tale of Three Museums.

So, with the easy introductory question out of the way, it’s on to the second one. Recognise this?

It’s an early set, when I still had my fabulous ‘studio’ that was later demolished. Two silver earplugs on a see-through disc. Lit from above and behind in front of a sheet of something styrofoamish. Ugh, I guess it must be…

Yes, it’s the android earplugs aboard their flying disc – en route to a fortuitous encounter with the time-manipulator, Gobby – in Earplug Aftermath.

So who is this?

Silly question: Obviously it’s the world’s pre-eminent Earplug author, Tooty Nolan, in the act of shooting a scene in Fort Balderdash. And how numerous those scenes were. I liked Fort Balderdash: it was yellow. But do you recall any scenes set there? Well here’s one of them…

In this scene a Robot Guide…ugh…guides a rather miserable looking Plopper O’Hooligan and his girlfriend Belinda Noseguard somewhere to do something in Those Magnificent Earplugs. Moving on, what on Earth is this?

I’ll tell you. At the back stands a sheet of stiff corrugated plastic material in white. In front a sheet of similarly white flexible plastic lays across some empty boxes – to simulate topography. Centre sits a piece of polystyrene packing material. This is obviously a building. It’s quite a large set, and (at the time) it caught the attention of several passers-by. And it was used for one throw-away scene. This one…

…in which the leadership of the Ice World go outside, for whatever reason, in Those Magnificent Earplugs.

So, finally, to this charming shot of a fork-lift truck’s battery charger…

Sadly this is a set that I can never again use. It still exists, but since retirement, I no longer have access to it – though I’m sure they’d allow it, if I asked nicely. It is also a ‘set’ that has appeared in many stories – over and over – as the control panel in the Maintenance Department. It oversees the workings of the Museum of Future Technology’s Nul Space Power Generator ( and The Future Museum of Mars too). In this case I’ve selected this example of it in action…

Green lights across the board: all is well for Nennigross Numbwinkle and Catford Greene in Natural Selection. Of course it’s just as likely to be showing red lights, with all kind of warning signs on the panel above Catford’s head. I needed to be careful about the time of day that I shot my scenes here. During most of the day the machine was switched off, with no lights illuminated. At night, when the fork-lift was plugged in, they would shine red. In the morning, after a night charging, the lights would shine green. I had to make sure that I took my pictures within those brief windows of opportunity. Honestly, the trouble I go to in order to bring you The Earplug Adventures!

P.S all the aforementioned e-books are available as free PDF copies by simply clicking their images on the sidebar.

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