Spoiled Illusions: 2 Tooty the Shootist

Are you one of those who, upon watching a DVD check out the extras, which often include a Making Of clip. I used to; but I don’t anymore: I don’t like to see the illusion spoiled. But just in case you are, here’s a little Earplug Adventures illusion spoiler.

Here’s a shot of Tooty the Shootist in the early days of the Earplug Adventures…

I bet Kodak never figured on their basic little Easyshare M550 ever producing pictures  that would be forever immortilized, in pixel-form, in e-books such as Evil Empire. Here’s the shot from the same location, but using different characters…

I can’t remember if this is the ‘nice’ Charles and Wolfgang checking out the Nul-Space generator’s heat exchanger, or their evil twins: but, because I’ve been living in their silicon world for so many years and adventures, for me it’s strange to see the image of me creating the characters, who seem almost real now.

Here I am again, pointing out the discarded office sound attenuators…

…that became The Woven Expanse and The Wide Blue Yonder…

Here former zombies Vic and Bob, and female weight-lifters Mandy and Candy cross the Woven Expanse in the very early tale, Museum of Terror. And the Wide Blue Yonder immediately afterwards, where they find a door into the Arboretum…

This is my fridge at work. I had a lot of home comforts at my place of work…

At my most self-indulgent I had a coffee machine (which appeared in a  few shots, a record player (ditto), tape deck (ditto), radio (errr ditto), a TV, a DVD player, and a kettle. But the item that appeared more than the rest combined was the fridge. Here’s a couple of shots…

In this shot from Earplug Aftermath, two silver androids visit the lavatory (of course). And in the following shot from Haunted Mars we see it used for the very last time…

It’s odd, looking back on this shot, which I probably took in late 2019 or early 2020, none of these ‘actors’ had names or personalities then. Now I see them differently. I like the look of acceptance on the face of rocket scientist, Treacle Fagging – second from left. Sadly, when I quit my job, I left my fridge behind for the guy who would take over from me. And a lot of other props too. I wonder what he made from them. Nothing probably.

And finally, moving from shootist to shootee…

Wonderful acting, I think you’ll agree. This is how I appeared as the Museum fo Future Technology’s A.I (in Winning Numbers) making an important announcement – probably of doom. I was very good at that…

 

 

 

Spoiled Illusions:1 Mars

Are you one of those who, upon watching a DVD check out the extras, which often include a Making Of clip. I used to; but I don’t anymore: I don’t like to see the illusion spoiled. But just in case you are, here’s a little Earplug Adventures illusion spoiler.

Recognise this?

Yup, it’s the interior of a street light. Several years ago a street light rusted through and fell down at my place of work; so, as a precaution, a small number of them were replaced. Naturally I grabbed a couple. And what a treasure trove they were. The outsides became obsolete space tugs – seen here in Return of the Prodigal Earplug – or other hulks in another story, the title of which eludes me right now, but it featured the creation of the starship Chi-Z-Sox *

And the inner parts became the exterior of The Future Museum of Mars in Martian Interlude and several others…

…AND the interior of the same edifice in several more, including Haunted Mars...

Unfortunately I was forced to leave my larger sets behind at the old building when the company moved to new premises. But I was smart enough to shoot a whole library of pictures before we departed to pastures new. The main Future Museum of Mars prop amongst them.

*I’ve written so many stories they begin to blur. Is there an earplug fan out there who can tell me which story it was?

Revel in the Ribaldry 27

Once upon a time I knew which book was supposed to supply the next excerpt, but somewhere between R.i.t.R 1 and now I’ve managed to become completely flummoxed. My default position is to jump straight to this book…

…partly because it’s the best book in the world, and partly because it’s the best book that has ever been written by anyone, anywhere, at any time. So today I’m going eschew my fall-back position and go for this book…

…which isn’t any of those things I said about The Psychic Historian, but is entertaining, and without the prior existence of which the best book in the world would not have been written. And here is the random excerpt. Hope it’s good…

Although the elevator was slow, the anti-mould snail had kept it pristine. Consequently both hamsters felt not the slightest discomfort as it ascended at a moribund crawl. And when, eventually, the door slid open on reasonably well-oiled sliders, Tonks had managed to shed much of the muck and filth of the lower floors, and was able to lead Colin on to the ground floor with a certain amount of pride.

The first thing she did was prick up her furry ears, and listen intently. Satisfied by the silence she then took her sidearm in her good paw, and made off for the Sentinel Robot bay. As she did so she couldn’t help but notice that the CCTV camera panned around to follow her progress.

“I didn’t know that your security system worked.” She said to Colin.

“It works fine.” He replied. “It’s just that Boney can’t be arsed to use it. He prefers the Sentinel Robots.”

Tonks asked the obvious next question. “So why is he using it now?”

Colin had no idea, so he decided to be creative. “Perhaps he’s trying to look down the front of your uniform.” He suggested. Then as supportive evidence for this theory he added, “Your breasts do jiggle pleasantly. Not that I’m an expert or anything. I never was much of a letch. Or a letch of any kind, come to think about it.”

But Tonks wasn’t listening: Another shudder was in the process of passing through the building, and the lights dimmed momentarily.

Meanwhile, in the Security Office, the monitors were being shaken dramatically. Not because of the apparent earthquake that was in the process of giving Fanangy’s epiglottis a hernia due to excessive nervous gulping: But because the cameras that fed them had gone out of focus.

“Damnation from the Great Angler Herself.” Boney cursed as he thumped the ageing cathode ray tubes with frustration, “I could’a sworn I caught a glimpse of a nipple just then!”

“Probably a shadow.” Lionel attempted to quell his employer’s enthusiasm for the sergeant’s mammary glands, “Army regulation vests would never allow loose titties in a potential combat situation. They could block the view of a rifle sight. ”

Boney was forced to accede to Lionel’s almost-pure logic. “Yeah, I s’pose you’re right.” He grumbled.

Then the screens settled, and a clear view of the corridor returned. But of Tonks and Colin there was no sign.

“Try the Sentinel Robot bay.” Fanangy croaked, “It’s the next door along.”

Naturally Fanangy’s suggestion was the correct course of action. This was because of two quite disparate reasons – at least in Lionel’s eyes. The first was that she was utterly gorgeous, and therefore incapable of being in error upon any subject, whether corporeal or esoteric: And secondly because Tonks and Colin now found themselves staring with bewilderment at a Sentinel Robot bay completely bereft of Sentinel Robots. Instead, at the cavernous room’s centre, a device that simply defied description seemed to crouch like a defecating toad.

“It looks like an oddly mottled huge steel box with flashing lights all around it.” Tonks exclaimed breathlessly.

“And a vast array of cables reaching from it, and disappearing into all four walls, the ceiling, and the floor, in a manner most redolent of things most creepy and crawly.”  Colin added.

“What do you think it is?” Tonks inquired.

“Beats the shit out of me.” Colin replied helpfully.

Tonks asked another question. “Was it there when we departed for the Artefact Room?”

This time Colin’s response was a little more forthcoming with information. “No.” He said.

“And imagine the remarkable engineering skills required to have constructed this stupendous device in such a short time.” Tonks said admiringly.

Any further utterances were silenced before they could be properly composed. Once more the building shook, and a loud hum of harnessed energy filled the air.

“Yikes.” Tonks managed before a loud booming voice spoke…

“Who dares speak in the presence of The Overmind?”

Colin was quick to respond. “Oh, that’d be us. Sorry. Didn’t mean to offend or anything. The name’s Colin by the way. I’m an android.” He then indicated Tonks, who appeared to have entered the trance-like fugue that hamsters in general, and startled females in particular, enter at times of extreme stress. “Oh, and this, apparently inanimate, life-form is Sergeant Tonks. I don’t know if she has a first name; but she’s a hamster. I don’t know the Latin for her species: hamstery-hamsteritious, or something, I expect.”

“Cease this infernal noise!” The voice of the Overmind boomed.

Despite owning the best pair of electronic ears on the planet, Colin couldn’t be sure precisely where the sound was emanating from. He suspected that it might be the large device in the centre of the room. “Sorry.” He said quietly.

“Bring me your mobility.” The Overmind demanded.

Colin’s aim was to please at every opportunity: But this demand required too much of him. “You what?” He enquired eloquently.

© Paul Trevor Nolan 2012

P.S I wonder if I’ll ever write another Hamster-Sapiens book. Do I still have the ability? Oh, I don’t know; there are so many books I’d like to write, but I simply can’t be arsed.

 

 

Silence Returns

What with the global pandemic and everything that has followed, I felt that, during this difficult period, I should refrain from promoting my two ‘Silent’ books – they are (after all) set in a post-global pandemic world – though (hopefully) far worse than the real thing. But then, months on, I thought: ‘But they’re a good yarn: why not let  people read what they bloody well want to?’ So here I am, presenting an excerpt from this book – the second of the literary duo…

As the cover suggests this book isn’t my usual comedic fare: just the opposite – with death and destruction possible at any moment. Anyway, here’s a random extract…

No one had come running at the sound of the shotgun blast. I for one was most grateful that we were all inside the compound; the door had been reattached; and for a while we had a degree of seclusion. But not for long: “Whomever set that booby trap might still be here.” Karen warned.

“I’d say it’s odds-on.” Colin agreed – recovered now that Wayne’s body lay hidden beneath a bus company tarpaulin.

“I certainly hope he is.” Shane spoke menacingly as she fingered the trigger of her shotgun.

“Me too.” Kylie said as she withdrew her pistol from its holster. But when she released the empty clip into her free hand she added, “That’s if I had any ammo left of course.”

“Likewise.” Karen and Colin said in unison; then giggled nervously at the coincidence.

Dexter meanwhile was worrying the escape door at the rear of a double decker bus.

“I guess we’ll have to take his.” He said as he nodded in the direction of the depot office building.

“His?” I queried.

“The bloke who set the booby trap.” Dexter explained. “That’s if he’s got any. Those might have been his last two shells.”

“Why do you refer to him as ‘him’?” Karen asked.

“Yeah.” Shane sided with her leader. “Could’a been a woman. Well a girl anyway.”

“A woman wouldn’t do such a thing.” Kylie said – rather naively I thought.

“What makes you so sure that ‘he’ is still here?” I asked the youngest boy in our group.

Dexter had the bus door open and was in the process of climbing aboard. Again he nodded towards the office building.

“Saw some movement in an upstairs window, didn’t I.” He replied.

‘So we’re not alone.’

“Tasman?” I asked.

Tasman looked across at the building. “As much as I admire the concept of vengeance,” he said, “I really don’t think we have the time or manpower. And like Shane said – we can’t go wasting any more lives. Irritating as it is, Wayne’s murderer will have to go free.”

‘If you call this place freedom.’ 

“Agreed.” I said in a tone that I hoped suggested finality, “He’ll face his accusers in a higher court than ours.”

Tasman cocked his head upon one side at this. I recognised it as a look of puzzlement.

“When he faces his maker.” I explained. “God.”

Tasman appeared to accept this. But clearly Colin, Shane, Karen, and Kylie were not about to be easily dissuaded. I could understand this. I didn’t know how long they’d been together, but they’d been through a lot with Wayne. They were almost family. They were certainly the only family any of them had left. Now their big brother lay dead beneath bus company property. Tasman and I wanted to continue with the task at hand: The others had other ideas.

It was Dexter who chose our path.

“No keys.” He shouted from inside the vehicle. “Probably hangin’ on a hook in the office.”

‘Damn!’

“Can someone check the other buses?” I suggested; but I knew my hope was forlorn.

As the only two present with decent weapons, it fell to Tasman and I retrieve the keys.

“Couldn’t we hot-wire it or something?” I whispered to my friend as we crouched en route to a parked car that stood half way between the bus and the office building.

The concrete ran with water as the incessant drizzle didn’t let up for a moment. As we closed upon the abandoned three-door hatch-back, Tasman answered.

“Could you?” He said.

‘No. And if I can’t, then by extension neither can anyone else. Great!’

We’d left our haversacks with the others, but not before donning our hand guns, and removing the hidden suppressors, and fitting them to our Heckler & Koch MP7s.

“If we’re going to have a shoot-out,” Tasman had explained, “at least our side won’t be making any noise.”

‘Hard to explain away the sound of two military weapons in a civilian town.’

As we settled behind the cover of the car, Tasman ran an attentive eye along the length of the building that faced us. The lower floor consisted of mostly solid brick wall, broken only by a door and a large observation window. The upper floor had smaller windows set into it at regular intervals along its length beneath a flat felt roof. A shot could ring out from any number of them, and we’d never be able to guess which one until it was too late.

“This is ridiculous.” I grumbled into Tasman’s shoulder.

“It is, isn’t it?” He chuckled. “Here we are – trying to save the world, and all we’re doing is fighting one of our own kind. Well your kind.”

“That’s good old Earth humans for you.” I replied as I patted him on the other shoulder. “Always ready to put a spanner in the works. So what’s the plan?”

Tasman didn’t answer immediately. Instead he verbalised his thoughts for my benefit.

“Since our enemy booby-trapped the pedestrian entrance,” He spoke softly, “logic would dictate that he would likely repeat the act with the office door. Any other door for that matter, including the back one – assuming there is one.”

I nodded agreement.

Tasman was continuing:

“Access to the upper windows are unobtainable without ladders; therefore they’re probably unprotected by semi-automatic devices like the booby trapped entrance.”

“Fine,” I said, “but we have no ladders.”

“We don’t need ladders.” He replied. “In fact we don’t need the windows either.”

He then held out his MP7 so that we could both see it. “We are going to behave as though we really know how to use these.”

I didn’t understand, and said as much.

“How would U.S Navy S.E.A.Ls get in without taking fire?” He asked.

It was a metaphorical question, but I answered it anyway.

“Down ropes – out of helicopters. Big problem: No ropes. No helicopters.”

“Doesn’t matter.” He said as nodded to a part of the building just beyond the huge observation window, “We have a drain pipe.”

I felt a nervous, girlish giggle coming on. The situation was becoming intolerably silly.

“Don’t be daft.” I said. “We’d have to get past the window – and if it’s booby trapped…”

I left it hanging there.

“What’s that white plastic thing mounted on the wall above the door?” Tasman asked in what appeared to be a complete change of subject.

I peered through the drizzle. “Um, I think it’s one of those motion detector things.”

“It detects motion.” He said. “How interesting. Why is it here?”

“It’s an anti-burglar device. When someone gets detected, a big light comes on, and everyone can see them – usually on CCTV.”

“So where is the light?” He asked.

I looked around. Several lights sat atop tall metal poles around the perimeter wall, but none appeared to point in the direction of the office. Then I noticed an unused wall bracket above the large window.

“It’s been taken down.” I said.

Tasman nodded knowingly. “How quickly do they react?”

I thought back to the security lights that Father had installed in our country home. He’d mounted several in strategic positions around the grounds, and all of them had been fabulous at illuminating various forms of wild-life as they found their way into the garden and out-buildings. I recalled that many were the times that my sister and I had watched in breathless wonder as badgers, foxes, deer, and suchlike took advantage of the food that we had laid out for them.

 “A couple of seconds.” I answered, “That’s assuming that these are anything like the ones my father had fitted at home.”

“Slow.” He observed.

He then indicated the cast-iron drainpipe that he’d referred to earlier. It climbed the full extent of the two storey building, and was attached to an equally sturdy gutter at roof level.

“That is our destination.” He said.

He then turned to wave in the direction of the bus. Dexter’s hand appeared fleetingly at one of the upper windows. Moments later the plastic ‘glass’ was pushed from its rubber recess, and fell with a clatter to the concrete below. Then Shane’s single barrel appeared over the lip of the window frame. But it wasn’t the small girl who held it: It was Karen.

“Covering fire.” He explained. “Doesn’t hit much, but confuses the hell out of the enemy. Now when I say ‘run’ we run towards the drainpipe together. Don’t pull ahead of me, and whatever you do don’t lag behind me. We must be one. Understand?”

‘No – not really.’

“Yes.” I replied. “Together as one: got it.”

“Right then, my beautiful Earth female,” Tasman said, “run!”

© Paul Trevor Nolan 2014

P.S I really should write a third book. Everyone likes a trilogy, don’t they?

 

Horror on an Earplug Adventure Shoot!

Yes, frightful news has just been released from the makers of The Earplug Adventures. Apparently star of A tale of Three Museums, actor Folie Krimp, had just completed a scene in which he kick-started a snow skimmer aboard the Gravity Whelk

…when, inexplicably, the show’s creator and principal writer, Tooty Nolan, dropped a laptop on his head. Sources inform us that the little yellow earplug was crushed utterly, and that no amount of tugging and pulling would make him “puff up again”. Tooty tried rolling him between his slender, artistic hands, and even attempted to blow him up again with his divine breath. But to no avail. Fortunately his alter-ego – The Supreme Being was on hand, who, in desperation, placed Mister Krimp in  a 900watt microwave oven for five seconds. Good news is that a complete recovery is expected, but shooting for the day has been cancelled because Mister Krimp had a nasty headache and is really pissed off…

Mister Nolan is reported to have said: “Folie sure was mad at me: I’m just hoping he doesn’t come into the studio tomorrow and kick me in the bollocks!”

Revel in the Ribaldry 26

Since I began posting these extracts from the Hamster-Sapiens series of e-books, I’ve been really pleased with everyone’s reactions to them. To date only one extract needed to be deleted – due to lack of interest – and I thank every one of you who clicks the Like button whenever you read one. For this excerpt I’ve delved into the abyss that is this book…

Hopefully you’ll like it as much as the others.

Upon this command the monks fell back to a position behind the drunken mob. No sooner had they done so – when the gate gave way abruptly, and with a loud splintering sound it crashed to the ground. Instantly the army of rogue Stix bandits came pouring through the gap – to be met with a sight that they couldn’t have imagined in their wildest dreams: Monks of The Wheel – drunken and debauched – and showing them their personal protuberances! And what frightful willies they were too – every one of them. Or rather they weren’t: In fact they were outstandingly average. But with Primrose’s hypnotic powers at their fullest, every member there appeared to match Brother Alfonso’s in sheer frightfulness to the nth degree.

“Argh.” The first wave of bandits cried, “Frightful willies everywhere: Back, damn you! Back!”

But heedless the second wave pushed them onwards, and they were almost within striking distance with their knives and cudgels before they too succumbed to the apparent sight.

“No – The Rim preserve me.” They would cry out in despair, “My mind is in turmoil!” And then they too would turn aside, and try to beat a hasty retreat.

But no one had considered Lucas Cleats himself. Something had obviously changed in Lucas Cleats since he’d come to the attention of Stubby Collet as a young, up-coming, Stix member, because not only did he recognise the monk’s private parts for what they really were; he also recognised Primrose as the alter-ego of Stubby Collet.

Raising his mailed fist he marched resolutely towards Primrose. “This is your evil work!” He growled menacingly.

“Ah-ha!” Brother Alfonso yelled as he leapt into the space between Cleats and Primrose, and raising the hem of his habit to chest height, “Their danglies may not be real – but mine is. Retreat immediately before I club you to death with my mighty truncheon.”

Under certain circumstances this ploy might have worked. Indeed Brother Alfonso had once tried such a gambit before. The result that time was a sharp slap with a chain mail glove, followed by excruciating pain, and his instantaneous surrender: This time didn’t go any better.

“El Diablo.” Brother Alfonso cried in abrupt and unexpected agony, “Mi Guillermo burns like the fires of The Hub itself. No mi gusta chain mail gloves!”

Cleats then pushed the stumbling giant aside, and withdrew his blade from it’s scabbard. “Let’s be done with these illusions, Stubby.” He spoke calmly to Primrose. “Out of respect I’ll make it quick for you.”

In one fluid motion both Darkwood and Quentin bravely stepped to intercept him, but were cast aside by invisible mental bolts that sent them sprawling.

Joan, Felicity, and Algy Timber all tried flinging empty custard pots in his direction, but Cleats avoided them all with ease, and barely broke the pace of his advance.

But then lady luck stepped in as Joan cried out, “Oh if only we could introduce some custard to his gullet, we would be saved!”

And outside the gate, still recovering from being used as a battering ram, lay Cleats’ enormous bull cavy.

“Custard?” The enormous cavy said – his ears pricking up. “Did someone mention custard? I absolutely adore custard. Let me at it. Let no rodent stand in my way!”

He then leapt to his feet, and charged through the broken portal. He took a brief moment to ignore all the wayward private parts and fleeing bandits, and then locked his gaze upon the last remaining pot of custard, which as luck would have it, stood upon a trestle table beside the shapely form of Primrose Pickles.

“That mother-fluffer is mine.” He bellowed loudly whilst charging blindly – oblivious to the fact that his master stood between himself and the tantalising custard.

Well what happened next was horrifying beyond belief. Even the drunken monks paused in their synchronised posing to gasp in awe, and the others openly cringed. Lucas Cleats had been caught from behind by the massive lowered head of his mount, and was flung bodily high into the air, where he landed with an “Oof” upon the steep slate-tiled roof of the gatehouse. He then quickly slithered downward in a terrifying cascade of dislodged tiles and startled grimaces. He would have inevitably fallen to a grisly death upon the shattered remains of the wooden gate below, but somehow his scrotum managed to become ensnared in the gutter, and he was left dangling above the precipice by his private parts.

“Oh I wish I’d brought my digital camera.” Algy Timber spoke into the resulting silence, “I could really liven up my personal web site with pictures of that.”

© Paul Trevor Nolan 2013

Now you can see why I call this Revel in the Ribaldry. Fun- what? Of course the e-book is still available – after all these years – at most stockists, some of which are mentioned beneath the header and on the sidebar.

Aesthetics: The Art of Considerate Parking 4

I’d just dropped into the driver’s seat of my car, and was about to press the Start button, when my eyes alighted upon a trio of cars parked in the next aisle of the underground carpark. “What’s this,” I cried, “have people taken on board my pleas for aesthetic parking?” It certainly looked that way. In an ocean of dull grey, silver, black, white, and turgid cars (mine included – you can just see my car’s paintwork through the windscreen), these three shone like a beacon of colour, elan, and parking verve. Aesthetic Parking X 3…